2018 Eclipse (Quiet Version) Garden of Memory, Oakland, CA, with Bodil Fox

2018 Eclipse at Canessa Gallery, San Francisco with Bodil Fox

2018 Contraption Quartet Performance, Rancho Shazam, Larkspur, CA

2017 Contraption Quartet Performance, Garden of Memory, Oakland, CA

2017 Contraption Quartet Performance, Circumambulation for 23five’s Re:Sound series, Mare Island

2016 Birdhouse, site-specific installation with Bodil Fox, Temple Lofts Gallery, Vallejo, CA, included in Wild by Nature, curated by Celeste Smeland, in association with the Vallejo Community Arts Foundation's Visions of the Wild,

2016 Contraption Quartet Performance Soundsmiths: Celebrating Instrumental Invention, Center For New Music, San Francisco

2016 Sonic Windmill, featured installation at Aeolian day, Thingamajigs, Jack London Square, Oakland, CA, created with support from Lucas Artist Residency

2016 Sonic Windmill, Garden of Memory, Oakland, CA, created with support from Lucas Artist Residency

2016 Contraption Quartet (formerly Flex) performance at Mad Mary's Tavern, Lucas Artist Residency, Montalvo Art Center, Curated by Mary Rowell

2015 Crank Ensemble, 10th Anniversary performance, Garden of Memory, Oakland, CA

2015 Music for Perpetual Motion with Paul Dresher and Sung Kim, Flex Performance at Turquoise Yantra Grotto, San Francisco  

2015 Untitled Event with Strings Extending into the Audience with Bodil Fox at Center for New Music, San Francisco  

2015 Crank Ensemble at 18th annual Music for People and Thingamajigs Festival, Center For New Music, San Francisco

2014 Floor Harp II, Garden of Memory, Oakland, CA

2014 Crank Ensemble at Richmond Art Center, Richmond, CA

2013 Crank Ensemble performances at Norcal Noisefest, Sacramento, CA and Burlington Hotel, Port Costa, CA

2012 Floor Harp, Garden of Memory, Oakland, CA

2012 Crank Ensemble at Maker Faire

2011 Crank Ensemble performances at Maker Faire, Mini Maker Faire, Oakland, CA, Art-a-thon, benefit for ArtSeed, Tides Center, San Francisco, and ArtSeed at Arion Press, San Francisco

2010 Crank Ensemble at Maker Faire

2010 Public Dice Walk starting at Arts Benicia

2010 Crank Ensemble East performance for Moscow Clay Works Grand opening, Moscow, PA

2010 Crank Ensemble performance for opening reception MAKE:CRAFT exhibition, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles

2010 Terrible Noises for Beautiful People, Directed by Misha Glouberman at Ann Hamilton's Sound Tower at the Oliver Ranch, Geyserville, CA

2009 Crank Ensemble collaboration with San Francisco Sinfonietta, Krankitupp, composition by Crank Ensemble and Urs Steiner, String Theory at Garden of Memory, Cams, Cranks and Computers at Newtown, Los Angeles

2009 Time Harp/Noise Harp performances for Brutal Sound Effects and Godwaffle Noise Pancakes

2008 Time Walk, with Bodil Fox, in conjunction with Time Sensitive Materials at Cricket Engine Gallery, Oakland, CA Dice-controlled random group walk with randomly varied speed

2008 Installation Time Harp at at Garden of Memory, Oakland, CA

2008 Crank Ensemble performances at The Sometime Gallery, Maker Faire, Priceless, False Profit, Beldentown, CA, Music for People and Thingamjigs Festival at Oakland Museum, Intel Developers' Forum, and Worklights with Theatre of Yugen, Pirate Cat Radio, San Francisco City Dump AiR Program, with resident artist Paul Cesewski

2007 Performed on my Activity Board with Yugen Orchestra in Letters from a Small House, one of the Cycle Plays with Theatre of Yugen

2007 Collaborated with wife Bodil Fox to make sets for Cycle Plays by Theatre of Yugen in Theatre Artaud, San Francisco Directed by Erik Ehn

2007 Built bamboo structure at Djerassi Foundation to prepare for the Cycle Plays

2007 Crank Ensemble performances at Garden of Memory, Luggage Store, Maker Faire, Music for People and Thingamjigs Festival, 12 Galaxies with Extra Action Marching Band, and Noise Pancakes

2006 Crank Ensemble performances at Garden of Memory, The Launch Pad, KFJC, Edgetone Music Summit at 21 Grand, and Ashkenaz

2005 Crank Ensemble performances at Garden of Memory, Luggage Store, Other Mind's Brink and Epic Arts

2005 Droneshift, organized by Matt Davignon at 21 Grand gallery, Oakland, CA

2004 The Important Phone Call, a four-part musical composition for chorus or strings, premiered by the San Francisco Sinfonietta

2003 Targodie sound art performance with Scot Jenerik incorporating the War Toys installation at the Lab, San Francisco

2003 At Least My Machines Still Love Me one night interactive sound sculpture installation at the CELLspace, San Francisco, sponsored by QBOX Displayed Engines from Airliner

2002 The Noise of Art one night interactive sound sculpture installation at Jim Mason's Shipyard, Berkeley, sponsored by QBOX Displayed The Crow and Sub

2001 Self Propelled evening at the Exploratorium, San Francisco, displayed the Ornithopter

2001 Built 12 ft bamboo and plywood Helicopter/Windvane for the Randall Museum, San Francisco

2001 BurningART presents: A Mechanical Cabaret at CELLspace, San Francisco

2001 BurningART presents Larnie Fox at CELLspace, San Francisco

2000 Quiet Night, Holy Noise, performance installation at The Lab, San Francisco

1998 Deconstructing Household Appliances at Splunge Warehouse, San Francisco

1998 Miniature Machine Event at the Werepad

1998 Brutal Sound Effects noise show at Tire Beach, San Francisco. My windmill was used as a sound source. In collaboration with Bill of Here Are the Facts You Requested

1998 Brutal Sound Effects noise show at Komotion, San Francisco. Machine noise, video installation and fire

1998 Untitled noise show at Noisegate, Oakland

1997-98 Solstice Kite with Patricia Ravarra, installation at the First Congregational Church, in association with the Community Music Center Orchestra, San Francisco

1997 Commissioned to create and burn 20 ft. bamboo and muslin windmill at Burning Man

1994 Holy Animal, for Never Trust Anyone over Thirty, an evening of performance arranged by Scot Jenerik, San Francisco

1994 Washington HillBillaries II: Up Late with Bill and Hillary, Yerba Buena Center for the Arts, San Francisco, in association with Lise Swenson and Scott McCleod

1993 Washington HillBillaries, The Lab, San Francisco, in association with Lise Swenson and Scott McCleod

1993 Rootman, performance at the Hate Cave, Salt Lake City

1992 Rootman Performance in Hairy Sticky Man, evening at Anti-Matter Gallery, San Francisco, curated by Lise Swenson and Aaron Noble

1990 Fireside Chat, Performance, ArtSpace, Salt Lake City, with Art Bias Group, (includes Wendy Ajax and Tony Weller), to benefit Another Language Dance Co

1990 First Steps, Performance in installation, Salt Lake Art Center, (main gallery), with Art Bias Group

1990, '89, '88, '87, Performances in Dinwoody Park, Downtown Salt Lake, as part of Salt Lake Arts Council's Brown Bag concert series. Pieces used movement, "low-tech" electronic sound, found-object percussion, readings and singing with Art Bias Group

1990 Living Art, Dooley Gallery, Park City, Utah, Art Bias Group in collaboration with Another Language performing arts ensemble

1989 Will Eye One, Wrote and directed multi-media performance for Utah Media Center

1988 Pierpont Tapestries, Salt Lake Art Center Piece involved found object percussion, building of wooden structure and pizza. Done with Art Bias Group in collaboration with Lowell Construction Co commissioned by Phillips' Galleries

1988 Pierpont Parade Project Co-directed artists' parade through Salt Lake in celebration of grand opening of Pierpont Gallery, commissioned by Phillips' Galleries

1988 Co-organized and performed in evening of performance art at the Utah Media Center

1986 Voice of the Second Driver at Finch Lane Gallery. Co-organized and performed in evening of performance art, supported by the Salt Lake Arts Council

1986 Untitled piece for Grunts and Postures' grand opening. Collaborated with Art Bias Group using light, industrial sound, movement and machines

1986 Low-Tech Consortium at the Painted Word Organized improvisational collaboration with dancers, musicians and visual artists combined machine sound and movement with dance, found-object percussion, and synthesizer

1985 Machines, University of Utah Art Department Machine-generated sound, motion and light

1984 Sleeptalk at the Painted Word Simultaneous readings from my dream journals, using an opaque projector to draw with colored light on a stationary bike racer (pumping furiously), and a bike-generated strobe light

1984 Network, Gittens Gallery, University of Utah, Involved a narrow black tepee with a drummer inside, two telephones, and a growing web of black yarn that enveloped the audience

1983 Untitled piece during performance seminar with Paul McCarthy Included many different personal statements read simultaneously and group walk holding hands

ONE AND TWO PERSON EXHIBITIONS

2024 Contraptions, Window Gallery, Center for New Music, San Francisco

2024 Probability 2 with Bodil Fox. Interactive sound-sculpture, NY2CA Gallery, Benicia, CA